Entertainment: Starting as a Succubus, Taking Hollywood by Storm

Peter Jackson is undeniably a master of cinematic pacing.

His sensitivity to film rhythm is remarkable; he knows exactly when to "depress" and when to "lift."

Take The Lord of the Rings: The Two Towers as an example. The movie consistently lifts the audience's spirits with small climaxes after moments of intense pressure, and just when things seem dire again, it delivers a profoundly satisfying, cathartic climax, allowing viewers to release all their pent-up emotions.

When audiences left the theater, they were excited, energized, and filled with joy.

Jackson even skillfully bridged the disjointed narrative sections from the original novel with masterful multi-threaded storytelling.

(Side note: In Tolkien's original The Two Towers, he made a decision that many readers found almost unbearable—splitting the story in two. The first half contained no mention of Frodo or Sam, while the latter half focused solely on them. Even hardcore fans of The Lord of the Rings struggled with this. It's no wonder some critics have called the series a linguistic enthusiast's byproduct.)

But Peter Jackson's approach to intertwining dual narratives in the film not only addresses this issue but even elevates the story's "watchability"—a quality some LOTR fans admit surpasses the original book.

The film's soundtrack was another standout.

The score, composed by Martin, once again added another layer of brilliance to the movie.

Particularly in the sequences before and after the Battle of Helm's Deep, the ascending musical scales conveyed grandeur and gravity. The strings and brass created a majestic atmosphere, while the intense percussion accompanying the cavalry charge made hearts race with excitement.

When the film ended, Leonardo left the theater in a daze, absentmindedly saying goodbye to Martin, boarding his car, and then snapping out of it.

The epic final battle scenes had left his heart pounding.

"An epic, a true epic! My God, those war scenes were just exhilarating! Hmm, maybe I could take on a war epic myself?"

Leonardo's reaction was a small sample of the audience's overall response.

That night, no one walked out of the Chinese Theatre in Los Angeles feeling calm!

Soon after, online discussions exploded.

This time, the focus wasn't just on Legolas but also on Aragorn, Gandalf, and the breathtaking battle scenes that dominated the film's climax.

"Such grand battle scenes, unparalleled in cinematic history. The Two Towers surpassed the first movie, immersing me in the most magnificent war in fantasy history."

"Peter Jackson is a great director. He captured the essence of The Lord of the Rings. As a fan of Tolkien and the books, I can't believe I'm saying this, but the movie is even better than the book!"

"Hold on, are you serious? Don't overhype it!"

"If I'm lying, I'm a pig!"

"The movie was incredible. When Gandalf appeared on the mountaintop bathed in morning light, I was stunned. Who knew an old man could be so cool?"

"Agreed! That moment was awe-inspiring. Especially when Gandalf led the cavalry charge into the Uruk-hai army—it gave me chills!"

"This movie is amazing! Who's up for a second viewing?"

"Me!"

"Count me in!"

"Midnight screening, let's go!"

The next day, media reviews rolled in:

"The Lord of the Rings: The Two Towers delves into themes of personal growth and courage. Major characters confront their inner fears, doubts, and struggles as they face daunting challenges. Through perseverance, they grow and demonstrate resilience and determination. This theme inspires viewers to pursue personal growth and face challenges in their own lives with courage." — The Washington Post

"With its grand effects and battle scenes, director Peter Jackson shows unparalleled skill in handling large-scale moments. As the second installment of the trilogy, The Two Towers seamlessly continues the style of the first film while exploring deeper character backstories and the broader world of Middle-earth." — The New York Times

"This isn't just Legolas's spotlight anymore. Frodo, Sam, Pippin, Aragorn, Gandalf—every member of the Fellowship shines in their own way. Of course, Legolas is still the coolest!"

"Though this film's action scenes may not be as frequent or intense as the first, the climactic battle more than makes up for it. Its scale alone justifies the ticket price. The framing of the battlefield is breathtaking, leaving audiences holding their breath. The attention to detail in the CGI work makes viewers forget these scenes were even computer-generated."

The film, released amid tremendous anticipation, did not disappoint.

The box office reflected this as well.

In its opening weekend, The Two Towers broke the $134.8 million record set by Spider-Man, grossing $136.9 million.

Its subsequent box office decline was also remarkably mild, with a drop of less than 30%, showcasing its staying power.

Some industry analysts even predicted that this film might become the second movie, after Titanic, to surpass $1.2 billion at the box office.

Following the premiere, Martin stopped focusing on The Two Towers.

He borrowed his grandfather's Boeing 747 private jet and flew with several temporarily unemployed actresses to a farm in Queensland, Australia.

Jessica Alba, Doris Durst, Miranda Kerr, Scarlett Johansson, Paris Hilton, Britney Spears, Anne Hathaway, Ivanka Trump... They were all onboard.

The plane was filled with lively chatter and beauty.

Some, however, didn't make the trip.

Charlize Theron was busy with her role in Monster.

Nicole Kidman had taken on an indie film project.

Natalie Portman was performing in a play.

Keira Knightley had returned to England.

Meanwhile, Lindsay Lohan, Rachel McAdams, and Amanda Seyfried were still filming Mean Girls 4.2. Lindsay, in particular, was deeply invested in her first leading role.

"Oh, and Heather and Belle, the two housekeepers, were also brought along, much to their delight."

Another surprise guest was Drew Barrymore.

"Why do you have the time? Weren't you supposed to be in George Clooney's Confessions of a Dangerous Mind?" Martin asked, puzzled as Drew approached him with a cheeky grin.

Drew laughed, "I turned it down. That guy's directing skills aren't exactly trustworthy. Plus, he's backing Brad Pitt, and Brad's been badmouthing you in the press lately. I couldn't possibly support the enemy's cause."

Martin chuckled, "George Clooney doesn't even qualify as an enemy of mine."

But he was pleased with Drew's loyalty nonetheless.